8.02
Added back support for presets created before 6.10.
Increased Gate Threshold to –100 dB.
Added HICUT FREQ parameter to QuadChorus block. This parameter, in the Advanced menu, allows you to control the corner frequency of a lowpass filter on the wet signal. This can be used to replicate the limited frequency response of analog chorus/flanger units.
Fixed clicking in Pitch block when modifier connected to Master Pitch.
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8.01
NOTE: This firmware release does not support presets created with firmware prior to Version 6.10. If you are upgrading from 6.09 or earlier upgrade to 7.18 first and run the “Update All Presets” function in the utility menu to convert your presets to the latest protocol.
Fixed bug in sending presets to edit buffer.
Fixed pitch detector locking on false octave at C#6.
Added “MIDI PC OFFSET” to I/O menu. This parameter adds a fixed offset to all incoming MIDI Program Change messages. For example, setting this to 10 would recall preset 13 when receving a MIDI PC value of 3. This parameter is irrelavent if mapping is on. NOTE: THIS VALUE MAY NOT BE ZERO AFTER UPDATING THE FIRMWARE. TO ENSURE PROPER PRESET RECALL BE SURE TO CHECK THIS VALUE.
Added HICUT FREQ parameter to Chorus and Flanger blocks. This parameter, in the Advanced menu, allows you to control the corner frequency of a lowpass filter on the wet signal. This can be used to replicate the limited frequency response of analog chorus/flanger units.
Changed taper of input and output volume controls to standard “15A” audio taper.
Volume block now has four tapers: Linear and three log tapers. The number in the log taper represents the percentage at midpoint, i.e. 15A is 15% when the control is at noon. “Log 30A” is the same as LogA before and “Log 10A” is the same as LogB before.
Added selectable Delay and/or Reverb spillover. You can now select whether Delay or Reverb or both spill over on patch change.
Added 3-band EQ to Drive block with semi-parametric Midrange control. This can be used to fine-tune the Drive tones.
Reworked Drive models. The Drive models are now very accurate in terms of gain, frequency response and output level. Most of the models were completely reworked and may sound different. You should audition any presets using the Drive block and adjust as necessary. Note that the Drive control in the Drive block has a range of 40 dB irrespective of the model. Many actual drive pedals have less range than this so there isn’t necessarily a one-to-one correspondence to the knob position on the model and the knob position on the actual pedal. Furthermore, the models all have a log taper for the Drive and Level controls. Some pedals have linear pots for one or both of these controls. For example, the Boss SD-1 has 30 dB of range for the drive and a linear output pot.
Increased gain of Treble Boost Drive model by 10. The original Dallas Rangemaster, on which this model is based, had no Drive control, only an Output level control. Set the Drive control to 5.0 to replicate the original (previously the Drive had to be set to 10 to replicate the original).
Added “4558/DIODE” clip type to Drive block. This clipping type models diodes in the feedback path of a JRC4558 op-amp. The JRC4558 is a really lousy op-amp that produces a lot of distortion even when operated in its linear region. This new clip type reproduces that distortion as well as the clipping of the diodes.
Added “Bender Fuzz” Drive model. Based on a 1967 Vox Tonebender.
Changed Clip Type of Super OD model to “4558/DIODE” type (see above).
